Just a few pics of some gear I’ve uses, mostly the last half of 45 yrs

Yamaha CL5 Digital Mixer – Used for Monitor Mixing
Midas – Heritage 3000 (48 ch.) – Used for Analog Monitor Mixing (late 90s-mid 2000s)
Soundcraft – MH4 (48 ch.) – Used for Analog Monitor Mixing (late 90s-mid 2000s)
Studiomaster – (40 ch) – Used for Analog Monitor Mixing (1995 – 2000)
Tach Scorpion (40 ch.) Used for Monitor Mixing (1996-2005)
Malcom Hill (40 ch) – Used for Robin Trower Monitor Mixing (1982) Almost all sliders instead of knobs. VERY weird console, it sounded great, but the output was too low and needed line drivers for everything. It had a very short life.
Left Side Setup – Soundcraft MH4 – Monitor Mixing (old phone cam shots)
Right Side Setup – Midas MH4 – Monitor Mixing (old phone cam shots)
Aaron Neville Christmas show, 8 vocalist at once. Shure Wireless Microphones – Monitor EQs (old phone cam shots)
What?!?!
Mixing Monitors for three bands
Keith Urban – 2 Midas Heritage (48 ch ea. = 96 ch.) Used for Monitor Mixing
(same setup I used for Aretha Franklin with 90 piece orchestra)
I just act like know what I’m doing
Monitor Mix Location (on stage) Band intro.
Soundcraft MH4 during show
Monitor mix location (on stage during show)
Monitor Mix (on stage) Pyro
Hanging Line- Array Speakers with chain motors
Eagles – stage rolled under lighting and speaker trusses
Eagles concert lighting and speaker hangs raised to show height
Eagles crew wrist band ID (Blue = Audio)
Toby Keith(?) speaker hangs (I believe, it’s a fog)
Kid Rock speaker hang from the rear (200k watts)
Kid Rock specker hang from front
Audio crew connecting sub speakers to hang with chain motors.
Audio crew- smaller Delay speaker hang with chain motors.
Production setup – big truss towers are to hang massive video walls
Motley Crue – FOH Mix Position (ugly white speakers)
Justin Timberlake lighting truss about to be hung with chain motors
(get it up and out of my way)
Taylor Swift production setup, Soldier Field Chicago – complete
Black Sabbath speaker hang
Batman – “The Dark Knight” Filming setup for chase scene in Chicago. Side work when things are slow.
Journey speaker amplifiers, each side of stage. (180k watts)
Scorpions lighting rig for rehearsals (late 80s)